In our organisational composition and creative outputs, how can we more meaningfully reflect the vast cross-section of our societies? How do we deal with the lingering prejudices and exclusive practices in the creative sector? What examples are there to show successful engagement with a variety of cultural backgrounds and needs in our places and spaces, and how do we move beyond the standard tropes or clichés towards celebrating our shared heritage whilst facilitating agency? How can we imagine and work towards a truly intersectional arts sector, and how do we create more opportunities for underrepresented communities?