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      • Immersive Revolution (2026 Update)
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      • Immersive Experiences
        • I. Introduction – The Immersive Revolution (2022)
        • II. What is driving the growth of immersive experiences?
        • III. How is technology enabling new possibilities for immersive experiences?
        • IV. Empty space for immersive experiences
        • V. Clusters of Immersive Experiences: London
        • VI. How are immersive experiences reshaping the arts and cultural sector?
        • VII. What’s next for Immersive Experiences?
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Patrick Moran (UK)

Head of Commercial Strategy & Partnerships, Barbican & Barbican Immersive

I have over ten years of experience commissioning, developing and delivering large-scale exhibitions across four continents. I've worked with world-class venues, including the Barbican, Art Science Museum Singapore, Le Lieu Unique, the CCCB, Rio de Janeiro, and artists such as Will.i.am, Hideo Kojima, Marshmallow Laser Feast, and Rhizomatiks, to create experiences seen by over a million visitors. My curatorial projects include Virtual Realms: Videogames Transformed, Asian Comics: Evolution of an Artform, and Game On. I'm also hugely proud to support the independent music scene in the Midlands as a Non-Executive Board Member for Supersonic Festival & Home of Metal creators, Capsule Events.

I'm passionate about pushing the possibilities of multidisciplinary/sensory immersive experiences and exploring how these technologies can engage new audiences.

REMIX Summits appearances:

  • REMIX Summit Sydney 2026

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