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Simon Cronshaw

Co-Founder, CultureLabel.com & REMIX Summits

Cultural entrepreneur who co-founded and in 2014 sold CultureLabel.com, a VC-funded ecommerce marketplace where creative minds find inspiration and shop the greatest art and artist-designed gifts, homeware and accessories from over 800 iconic cultural institutions, galleries, artists and boutiques. 

Also co-founded the global REMIX Summits (http://www.remixsummits.com) on Culture, Technology and Entrepreneurship. Produced in partnership with partners Google, Bloomberg and Mindshare, REMIX tackles the big ideas shaping the future of the culture and creative industries and is attended by thousands of creative leaders worldwide. Summits take place annually in London, NYC, Sydney and Dubai with media partners including VICE, The Guardian and Time Out. 2017 also saw the launch of our Creative State Summit in Melbourne, produced by REMIX Summits for Creative Victoria (http://creativestatesummit.com). 

Through REMIX Agency (http://www.remixsummits.com/agency), Simon consults for private clients on commercial and digital strategies for cultural and creative organisations - reference cases include the Houses of Parliament, BFI, Bestival, The School of Life and London Evening Standard. 

In partnership with the British Council and Arts Council England, Simon led on the launch of REMIX Academy, a new approach to arts training. Through a combination of workshops, a year-round community and online modules, it provides arts leaders with insights, tools and exercises to support their entrepreneurial development and help build financially resilient organisations. REMIX has developed two strands of learning: one for creative entrepreneurs starting or growing a new business, and one for leaders within creative and cultural organisations looking to inspire entrepreneurial change from within. REMIX Academy events have so far been held in locations including London, Manchester, Newcastle, Melbourne, Sunshine Coast and Perth.

Between 2014 and 2017, Simon supported creative start-ups from across Europe as part of a major European Union project, E-Space (http://www.europeana-space.eu/). The aim of this was to create new opportunities for employment and economic growth within the creative industries based on the development of applications and services from Europe’s digital cultural content. REMIX managed the monetisation and business modelling outcomes, including intensive mentoring and incubation support.

Simon has also co-authored a number of books and thought papers on topics relating to cultural entrepreneurship and new revenue models for cultural organisations: 

In 2009, 'Intelligent Naivety' explored new commercial revenue streams for not-for-profit cultural organisations - where better to get on and create great ideas than the space where culture and consumers meet? Available as a free e-book at http://www.slideshare.net/culturelabel/culturelabel-intelligent-naivety

In 2014, 'Golf, Art & Spa Days' emerged out of the observation that incredible experiences are the bread and butter of the arts sector. Yet when it comes to marketing unique experiences for gift buyers, the arts are strangely absent from popular gift experience sites. Why? And can this change? To test this, we received support from Nesta, the Arts & Humanities Research Council and public funding by the National Lottery through Arts Council England to spend a year working with six leading arts organisations (Dulwich Picture Gallery, Whitechapel Gallery, the Royal Academy of Arts, Design Museum, English National Opera and Barbican), exploring the market for cultural gift experiences. Download our consumer research, competitive summaries and overview of the opportunities at http://www.remixsummits.com/experiences/ 

In 2016, 'The Big Ticket Questions' examined how arts organisations can use technology to meet customer needs, including a detailed debate on the question of in-house versus third party technology platforms. Details at http://www.tinyurl.com/bigticketquestions

Marian Goodell

CEO, Burning Man

Dan Goods

Visual Strategist, Jet Propulsion Laboratory, NASA (USA)

Louise Herron

CEO, Sydney Opera House

Kylie Watson-Wheeler

Senior Vice President & Managing Director, The Walt Disney Company ANZ (inc. Lucas Film, Marvel, Pixar)

Zareh Nalbandian

CEO & Co-Founder, Animal Logic (Happy Feet, The LEGO Movie, Peter Rabbit)

Deborah Shaw

Head of Creative Programming, Historic Royal Palaces (inc. Tower of London, Kensington Palace & Hampton Court Palace) (UK)

Katy Clark

President, BAM / Brooklyn Academy of Music (USA)

Toby Coffey

Head of Digital Development, National Theatre (UK)

Laura Lindsay

Director, Global Communications, Lonely Planet

Sarah Ellis

Director of Digital Development, RSC / Royal Shakespeare Company (UK)

Wesley Enoch

Director, Sydney Festival

Jesse Cox

‎Original Programming Manager, Audible (Amazon)

Adam Spencer

Author, Comedian, Maths Geek ...

Diego Radivoy

General Director, Creative Industries, Buenos Aires City Government (Argentina)

Kath Mainland

Executive Director, Melbourne Festival

Georgia Frances King

Deputy Ideas Editor, Quartz (USA)

Michael Brealey

CEO, Create, NSW

Sam McDonagh

Country Manager, Airbnb

Dom Price

Work Futurist & Head of R&D, Atlassian

Ed Miles

Head of YouTube Partnerships, AUNZ & Head of Sports Partnerships, YouTube APAC

Beatie Wolfe

Musician & Technologist (UK) - “Ground-breaking” (BBC News), “Ingenious” (Fast Company) and “Extraordinary” (Forbes)

Richard Mayer

Head of Creative Services, National Geographic (FOX)

Kate Torney

CEO, State Library Victoria

Scott Rigby

Head of Digital Transformation, Adobe Asia Pacific

Natalia Manidis

Author Success & Content Operations, Envato

Lynley Marshall

CEO, Museums Victoria

Mikaela Jade

CEO & Founder, Indigital

Ian Scobie AM

Director, WOMADelaide

Michael Rodrigues

Chair, Night Time Industries Association & MD, Time Out (ANZ)

Tanya Denning-Orman

Channel Manager, NITV / SBS

Topaz Conway

Chair of the Board, StartupAUS

Ian McClelland

Managing Director, The Guardian Australia

Lily Jacobs

Business Strategy Lead, Emerging Sectors and Innovation, LendLease

Peter Denham

Director Curatorial, Collections and Exhibitions, MAAS

Dan Rosen

CEO, ARIA

Alison Wright

Assistant Director, Engagement and Development, National Gallery of Australia

Brett Leavy

Digital Storyteller, Virtual Warrane

Dolla Merrillees

Director, Museum of Applied Arts and Sciences (MAAS)

Kellie Riordan

Head of ABC Audio Studios

Sara Mansour

Co-Founder, Bankstown Poetry Slam (BPS)

Neil Ackland

Managing Director, Junkee Media

Tess Arrioti

Head of CSR, Samsung

Kate Cherry

Director/CEO, NIDA

Councillor Jess Scully

Knowledge Exchange Strategist

Paul Bennetts

CEO & Co-Founder Spaceship & Venture Partner, AirTree Ventures

Steph Harmon

Culture Editor, The Guardian

Marc Fennell

Presenter, Download this Show, ABC

Bonnie Shaw

Strategy Lead, Smart City Office at City of Melbourne

Jonathan Pease

Executive Creative Director, AKQA

Christina Erskine

Acting Chief Marketing Officer, Sydney Opera House

Jason Potts

Professor of Economics, RMIT University

Amanda Tattersall

Co-founder, GetUp.org.au & Founder, Sydney Alliance

Daniel Garcia

Educator, NGV (National Gallery of Victoria)

Tamasein Holyman

Mistress of Make-Believe, Underground Cinema & Secret Squirrel Productions

Professor Ross Harley

Dean of the Faculty of Art & Design, UNSW & Chair, Sydney Culture Network

Jan Owen AM

CEO, Foundation for Young Australians (FYA)

Peter Mahony

Manager, Education and Digital Learning, MAAS

Jason Twill

Innovation Fellow & Senior Lecturer, UTS

Tom Pitney

Managing Editor, Punkee

Paula Bray

DX Lab Leader, State Library of New South Wales

Rich Fogarty

Founder and Publisher, Concrete Playground

Paul Barclay

Presenter, Big Ideas, ABC

Kelly Godfrey

Managing Director Australia & NZ, Ancestry

Michael Campbell

Executive Director, WestWords

Chantal Abouchar

CEO, The Studio

Janne Ryan

Ideas Curator, Broadcaster, Producer & Design Writer

Claire Evans

Managing Director, Grumpy Sailor

Ally Watson

Co-Founder, Code Like a Girl

Matt Walters

Founder, Parlour Gigs

Tamryn Bennett

Director, Red Room Poetry

Margaret Petty

Executive Director Innovation & Entrepreneurship, University of Technology Sydney

Alison Page

Designer & Filmaker, ZAKPAGE

Vic McEwan

Artistic Director, The Cad Factory

Kate Driver

Deputy Director, Questacon

Peter Tullin

Co Founder, REMIX Summits & CultureLabel.com

Simon Cronshaw

Co-Founder, CultureLabel.com & REMIX Summits

Alicia Talbot

Senior Strategic Project Leader, City of Parramatta

Katy Roberts

Head of Video, VICE (Australia / NZ)

Professor Glenn Wightwick

Deputy Vice Chancellor (Innovation & Enterprise), UTS

Rosie Dennis

Artistic Director/CEO, Urban Theatre Projects

Dr Mark Liu

Chancellors Postdoctoral Research Fellow, UTS

Jess Cook

Managing Director, 107 Projects

Mimi Flemming

General Manager, VICE (Australia / NZ)

Dr Natalia Nikolova

Director UTS Advanced MBA, UTS Business School

Richard Watts

Performing Arts Editor/Editorial Team Leader, ArtsHub

Neil Peplow

CEO, AFTRS (Australian Film Television and Radio School)

Terri Janke

Solicitor Director, Terri Janke and Company

Dr Julia Prior

Director, Engagement (Teaching and Learning), Faculty of Engineering and Information Technology (FEIT), and Senior Lecturer, School of Software, UTS

Eunice Andrada

Poet, Journalist & Teaching Artist

Sarah Moran

Co-founder & CEO, Girl Geek Academy

Dr Nimish Biloria

Associate Professor - Design, Architecture and Building Faculty, UTS